Song Club : MP3 download ,Free Mp3 music: mp3 download

thai song , thai music , new song , new music , Midi , artist , video clip , MV , Video , jukebox , EngLish Song , Lyrics , mpeg, mpg , wma , wav , audio , vcd , dvd top , Mp3 Hits , Full Mp3 Albums , Full Song Albums , Full Albums , Archives , Search , Mtv Charts , Singles Charts , Collection , Charts, MP3 Archive , Latest Additions , Hits , Tabs , Top 100 MP3 , Newest MP3s , CD , vampire , vampires , 586 , 585 , 584 , 583 , 582 , 581 , 580 , band, artist, digital music, electronica, jazz, rock, rock and roll, alternative, country, country music, pop, pop music, adult contemporary, techno, disco, rap, rap music, hip hop, funk, soul, r and b, rb, rhythm and blues , sumo , tickets,adult movie,free movie downloads,dvd movies,movie posters, movie theatres,tranny movie,movie trailers,adult sex movie,sex movie,movie downloads,mature movie,movie times,movie theaters,reviews, taiwan drama, movies online, movie, smartmovie, amornmovie, transformer , gossipstar, ipstar, korea star,mv, rmvb,amv, woraburi sukhumvit, youdumv, A music download refers to the transferring of a music file from an Internet-facing computer or website to a user's local computer. This term encompasses both legal downloads and downloads of copywritten material without permission or payment if required. Legal music downloads typically involved the a purchase of a song or album available for downloading on the Internet. Downloading music first became popular with file sharing technologies such as peer-to-peer networks, with people breaking copyright laws by not paying for any of it. The Recording Industry Association of America (RIAA) claimed that this practice was damaging the music industry, and a series of law suits led to many of these networks being closed down. However, those who support such technologies argued that the music industry said the same thing about recordable tapes and CDs, and even when recorded music came out as before then artists got their money through live performance, and that the industry should embrace the advancements in technology rather than enforce prohibitions on the practice. Very little publishable academic research has been done to clarify this form of massive consumer behavior. There is a great deal of freely available music online, which is distributed by the copyright holders for various reasons. (For instance, some university orchestras have high-quality recordings of their performances.) This fully legitimate free music is often overlooked by the popular media and is hardly a new development on the Internet. Music stores The second phase of music downloading was the online music store, whereby songs could be downloaded at a price. In 2003, iTunes saw the popularity of legal digital downloads skyrocket. Other online websites include URGE, Napster and MSN's Music store. Ad-Supported music stores are now starting to show up such as Spiralfrog and Qtrax which do not charge for music downloads but instead, sell advertising space to pay for the music downloads. The sales of downloaded music has now surpassed the sales of 'physical copies' in some countries; this has been indicated in the UK where "Crazy" by Gnarls Barkley reached the top spot in the UK Singles Chart based on download sales alone[1]. Furthermore, many artists do not offer additional content, or release extended versions of their albums in music stores to offset the loss of physical content present in CD packaging, making digital music sales more viable for the listener. Music downloads offered by artists Some artists allow their songs to be downloaded from their websites, often as a short preview or a low quality sampling. Others have embedded services in their sites that allow purchases of their singles or albums, as demonstrated by Metallica's official website. Other music artists, most notably Nine Inch Nail's Trent Reznor, have offered their music to listeners for free, some times in defiance of their record labels. In 2005, Nine Inch Nails released their full length album, With Teeth, on their MySpace page, prior to its official in store release date. Most recently the band has leaked various tracks off of its latest album, Year Zero, by hiding USB drives in concert venues. In past years, acts such as these have been commonplace from artists who seek to get their music out to a wider market, usually by tapping the power of the internet. In addition to this and to music stores, peer-to-peer downloading programs or websites such as Limewire, Kazaa and many others are very popular. Additionally, Torrent filesharing is another common method of peer-to-peer transfers. There is much controversy relating to filesharing due to copyright restrictions that apply to recorded media. [edit] Challenges to Music Downloading Even legal music downloads have faced a number of challenges from artists, record labels and the Recording Industry Association of America. In July 2007, the Universal Music Group decided not to renew their long term contracts with iTunes. This legal challenge was primarily based upon the issue of pricing of songs, as Universal wanted to be able to charge more or less depending on the artist, a shift away from iTune's standard 99 cents per song pricing. Many industry leaders feel that this is only the first of many show-downs between Steve Jobs and the various record labels[2]. MPEG-1 Audio Layer 3, more commonly referred to as MP3, is an audio encoding format. It uses a lossy compression algorithm that is designed to greatly reduce the amount of data required to represent the audio recording, yet still sound like a faithful reproduction of the original uncompressed audio to most listeners. It was invented by a team of European engineers at Philips, CCETT (Centre commun d'études de télévision et télécommunications), IRT and Fraunhofer Society, who worked in the framework of the EUREKA 147 DAB digital radio research program, and it became an ISO/IEC standard in 1991. MP3 is an audio-specific format. The compression removes certain parts of sound that are outside the hearing range of most people. It provides a representation of pulse-code modulation — encoded audio in much less space than straightforward methods, by using psychoacoustic models to discard components less audible to human hearing, and recording the remaining information in an efficient manner. Similar principles are used by JPEG, an image compression format. Audio quality When creating an MP3 file, there is a trade-off between the amount of space used and the sound quality of the result. Typically, the creator of the MP3 file is allowed to set a bit rate, which specifies how many kilobits the file may use per second of audio, for example, when ripping a compact disc to this format. The lower the bit rate used, the lower the audio quality will be, but the smaller the file size. Likewise, the higher the bit rate used, the higher quality, and therefore, larger the file size the resulting MP3 will be. As described, MP3 files encoded with a lower bit rate will generally play back at a lower quality. With too low a bit rate, "compression artifacts" (i.e., sounds that were not present in the original recording) may be audible in the reproduction. Some audio is hard to compress because of its randomness and sharp attacks. When this type of audio is compressed, artifacts such as ringing or pre-echo are usually heard. A sample of applause compressed with a relatively low bitrate provides a good example of compression artifacts. Besides the bit rate of an encoded piece of audio, the quality of MP3 files also depends on the quality of the encoder itself, and the difficulty of the signal being encoded. As the MP3 standard allows quite a bit of freedom with encoding algorithms, different encoders may feature quite different quality, even when targeting similar bit rates. As an example, in a public listening test featuring two different MP3 encoders at about 128 kbit/s,[8] one scored 3.66 on a 1–5 scale, while the other scored only 2.22. Quality is heavily dependent on the choice of encoder and encoding parameters. While quality around 128 kbit/s was somewhere between annoying and acceptable with older encoders, modern MP3 encoders can provide very good quality at those bit rates[9] (January 2006). However, in 1998, MP3 at 128 kbit/s was only providing quality equivalent to AAC-LC at 96 kbit/s and MP2 at 192 kbit/s.[10] The transparency threshold of MP3 can be estimated to be at about 128 kbit/s with good encoders on typical music as evidenced by its strong performance in the above test, however some particularly difficult material can require 192 kbit/s or higher. As with all lossy formats, some samples can not be encoded to be transparent for all users. For digital stereophonic sounds, this transparency threshold of MP3 can be greatly reduced by using the Joint stereo coding mode based on stereo intensity redundancy removal. This feature further reduces the overall bit rate of a stereophonic sound down to 96 kbit/s. Unfortunately, in spite of a wide use of this feature in most MP3 files and all standardized encoders no official results of this transparency level were ever published due to strong lobbying and opposition of the professional music industry.[citation needed] The simplest type of MP3 file uses one bit rate for the entire file — this is known as Constant Bit Rate (CBR) encoding. Using a constant bit rate makes encoding simpler and faster. However, it is also possible to create files where the bit rate changes throughout the file. These are known as Variable Bit Rate (VBR) files. The idea behind this is that, in any piece of audio, some parts will be much easier to compress, such as silence or music containing only a few instruments, while others will be more difficult to compress. So, the overall quality of the file may be increased by using a lower bit rate for the less complex passages and a higher one for the more complex parts. With some encoders, it is possible to specify a given quality, and the encoder will vary the bit rate accordingly. Users who know a particular "quality setting" that is transparent to their ears can use this value when encoding all of their music, and not need to worry about performing personal listening tests on each piece of music to determine the correct settings. In a listening test, MP3 encoders at low bit rates performed significantly worse than those using more modern compression methods (such as AAC). In a 2004 public listening test at 32 kbit/s,[11] the LAME MP3 encoder scored only 1.79/5 — behind all modern encoders — with Nero Digital HE AAC scoring 3.30/5. It is also important to note that perceived quality can be influenced by listening environment (ambient noise), listener attention, and listener training. [edit] Bit rate Several bit rates are specified in the MPEG-1 Layer 3 standard: 32, 40, 48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256 and 320 kbit/s, and the available sampling frequencies are 32, 44.1 and 48 kHz. A sample rate of 44.1 kHz is almost always used since this is also used for CD audio, the main source used for creating MP3 files. A greater variety of bit rates are used on the internet. 128 kbit/s is the most common since it typically offers very good audio quality in a relatively small space. 192 kbit/s is often used by those who notice artifacts at lower bit rates. By contrast, uncompressed audio as stored on a compact disc has a bit rate of 1378.125 kbit/s (16 bits/sample × 44100 samples/second × 2 channels / 1024 bits/kilobit). Some additional bit rates and sample rates were made available in the MPEG-2 and the (unofficial) MPEG-2.5 standards: bit rates of 8, 16, 24, 32, 40, 48, 56, 64, 80, 96, 112, 128, 144, 160 kbit/s and sample rates of 8, 11.025, 12, 16, 22.05 and 24 kHz. Non-standard bit rates up to 640 kbit/s can be achieved with the LAME encoder and the freeformat option, but few MP3 players can play those files. Gabriel Bouvigne, a principal developer of the LAME project, says that the freeformat option is compliant with the standard but, according to the standard, decoders are only required to be able to decode streams up to 320 kbit/s.[12]

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วันจันทร์ที่ 8 ตุลาคม พ.ศ. 2550

Vampires 587 Sumo

ออกวันพุธที่ 19 กันยายน 2550

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01-เรวัต พุทธินันทน์ - อกหักไม่ยักกะตาย.mp3 4.51 MB

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01-ไอน้ำ - บังเอิญโสด.mp3 3.53 MB

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01-Ost.เพื่อน กูรักมึงว่ะ - อยากรู้...แต่ไม่อยากถาม.mp3 2.74 MB

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01-บอดี้ ศพ19 - คิดถึงเธอทุกที(ที่อยู่คนเดียว).mp3 3.03 MB

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01-Chilli White Choc - CHATSANOVA.mp3 3.15 MB

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01-D.J. HOT WAVE - FIRE FAHRENHEIT.mp3 3.24 MB

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01-นันทิดา แก้วบัวสาย - วันวาน.mp3 3.41 MB

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01-Knes - Go.mp3 3.02 MB

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01-Friday - เพลงของวันพรุ่งนี้.mp3 4.70 MB

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01-Bodyslam - ยาพิษ.mp3 4.02 MB
02-Bodyslam - อกหัก.mp3 3.79 MB
03-Bodyslam - ท่านผู้ชม.mp3 3.97 MB
04-Bodyslam - ยิ่งรู้ยิ่งไม่เข้าใจ.mp3 3.91 MB
05-Bodyslam - แค่หลับตา.mp3 3.89 MB
06-Bodyslam - เสี้ยววินาที.mp3 3.82 MB
07-Bodyslam - คนมีตังค์.mp3 3.96 MB
08-Bodyslam - แสงแรก.mp3 4.15 MB
09-Bodyslam - นาฬิกาตาย.mp3 3.69 MB
10-Bodyslam - ขอบคุณน้ำตา.mp3 4.33 MB

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01-OIC โอไอซี - OIC.mp3 3.45 MB
02-OIC โอไอซี - มองเขาเผื่อเอาไว้.mp3 3.77 MB
03-OIC โอไอซี - มุมใหม่.mp3 3.26 MB
04-OIC โอไอซี - Look Good Girl.mp3 3.47 MB
05-OIC โอไอซี - ปิดตายังเห็นหน้าเธอ.mp3 3.95 MB
06-OIC โอไอซี - เส้นทาง.mp3 4.24 MB
07-OIC โอไอซี - พูดด้วยตาอ่านด้วยใจ.mp3 3.59 MB
08-OIC โอไอซี - โด๊น โดน.mp3 3.53 MB
09-OIC โอไอซี - ในสายตาใคร.mp3 4.34 MB
10-OIC โอไอซี - แค่คนเฝ้ามอง.mp3 3.45 MB
11-OIC โอไอซี - มีอะไรให้โทรหากัน.mp3 1.03 MB

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01-GOLF&MIKE [JP] - Rinrin SAMURAI.mp3 3.42 MB
02-GOLF&MIKE [JP] - Nippon Ai ni Iku yo.mp3 3.46 MB
03-GOLF&MIKE [JP] - Fight For You.mp3 3.19 MB
04-GOLF&MIKE [JP] - Sayonara junjo.mp3 3.84 MB
05-GOLF&MIKE [JP] - Koi no toge.mp3 4.36 MB
06-GOLF&MIKE [JP] - Koibito.mp3 4.15 MB
07-GOLF&MIKE [JP] - Okashii deshou.mp3 3.18 MB
08-GOLF&MIKE [JP] - Boku no basho.mp3 3.77 MB
09-GOLF&MIKE [JP] - Kokoro ga wari.mp3 3.09 MB
10-GOLF&MIKE [JP] - Suki dakara.mp3 3.78 MB
11-GOLF&MIKE [JP] - Hatsukoi no aria.mp3 3.48 MB
12-GOLF&MIKE [JP] - Atsukatta natsuyasumi.mp3 2.95 MB
13-GOLF&MIKE [JP] - Fever to Future (Thai ver.).mp3 3.56 MB
14-GOLF&MIKE [JP] - Kae Krung Deaw.mp3 3.38 MB
15-GOLF&MIKE [JP] - ผู้ชายมือเปล่า.mp3 3.44 MB
16-GOLF&MIKE [JP] - สัญญาทราย.mp3 3.84 MB
17-GOLF&MIKE [JP] - My Love is you.mp3 4.13 MB

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01-Bluedock - หมดความหมาย.mp3 3.57 MB
02-Bluedock - ที่เดิม.mp3 4.22 MB
03-Bluedock - ทฤษฏีการหยุดเดิน.mp3 4.47 MB
04-Bluedock - ฤดูใบไม้ผลิ.mp3 4.57 MB
05-Bluedock - มองไม่เห็นด้วยตาเปล่า.mp3 4.00 MB
06-Bluedock - ของตาย.mp3 4.12 MB
07-Bluedock - อยู่ในฝัน.mp3 3.06 MB
08-Bluedock - ยากจะลืม.mp3 3.76 MB
09-Bluedock - คนใหม่.mp3 4.11 MB
10-Bluedock - หมาป่า.mp3 4.36 MB

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01-Play It Forward By เต็น - ละลาย.mp3 3.12 MB
02-Play It Forward By เต็น - คนดีในสายตาเธอ.mp3 3.81 MB
03-Play It Forward By เต็น - ฟ้าฝนกับคนที่เข้าใจ.mp3 3.97 MB
04-Play It Forward By เต็น - โอ๋.mp3 4.19 MB
05-Play It Forward By เต็น - Alone.mp3 3.41 MB
06-Play It Forward By เต็น - Coffee Break.mp3 770.07 kB
07-Play It Forward By เต็น - Texas.mp3 1.91 MB
08-Play It Forward By เต็น - Funk Jam.mp3 3.38 MB
09-Play It Forward By เต็น - One Night In Phuket.mp3 3.73 MB
10-Play It Forward By เต็น - Spirlt.mp3 2.29 MB
11-Play It Forward By เต็น - Space Ship.mp3 3.27 MB
12-Play It Forward By เต็น - Lives 2006.mp3 1.95 MB
13-Play It Forward By เต็น - Freedom.mp3 3.64 MB
14-Play It Forward By เต็น - หนึ่งในล้าน.mp3 3.61 MB

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01-OAK SMITH - เธอจะร้องไห้ทำไม.mp3 3.55 MB
02-OAK SMITH - ความคิดถึงห้ามกันไม่ได้.mp3 3.26 MB
03-OAK SMITH - ปากกา.mp3 3.38 MB
04-OAK SMITH - How R U.mp3 3.60 MB
05-OAK SMITH - ยืนผิดที่.mp3 3.40 MB
06-OAK SMITH - ฝันร้ายกลายเป็นฝันดี.mp3 3.64 MB
07-OAK SMITH - อ่นกันนาน ๆ.mp3 3.61 MB
08-OAK SMITH - ทุกเช้า ทุกคืน ทุกวัน.mp3 3.00 MB
09-OAK SMITH - ปากกับใจ.mp3 2.65 MB
10-OAK SMITH - ซื้อกุหลาบให้ตัวเอง.mp3 3.72 MB
11-OAK SMITH - บริสุทธิ์ใจ.mp3 3.42 MB
12-OAK SMITH - วูบหนึ่ง ในคืนเหงา.mp3 3.65 MB

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01-ROCK DRAMA - คำตอบของหัวใจ-ปั๊บ.mp3 3.80 MB
02-ROCK DRAMA - พรหมลิขิต-Big Ass.mp3 3.88 MB
03-ROCK DRAMA - ไม่สมศักดิ์ศรี-ไท.mp3 4.24 MB
04-ROCK DRAMA - ทางใครทางมัน-แมว.mp3 3.91 MB
05-ROCK DRAMA - ฉันอยู่ตรงนี้-ปู ลานนา.mp3 4.06 MB
06-ROCK DRAMA - ใช่ฉันหรือเปล่า-กะลา.mp3 3.22 MB
07-ROCK DRAMA - คนสุดท้าย-อัสนี.mp3 3.69 MB
08-ROCK DRAMA - เสียคน-เสือ ธนพล.mp3 3.64 MB
09-ROCK DRAMA - รักไม่มีวันตาย-อี๊ด.mp3 3.57 MB
10-ROCK DRAMA - กุมภาพันธ์-ปีเตอร์.mp3 4.40 MB
11-ROCK DRAMA - ไม่รู้ทำไม-Zeal.mp3 4.20 MB
12-ROCK DRAMA - หวังดีเสมอ-Potato.mp3 4.41 MB
13-ROCK DRAMA - ยืนหยัด ยืนยง-อัสนี.mp3 3.95 MB
14-ROCK DRAMA - เพลงรักพันธุ์ X-Clash.mp3 4.59 MB

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01 เพาะรัก (Our Seed).mp3 3.13 MB
02 ถ้าไม่มีเธอ คงไม่มีฉัน.mp3 3.44 MB
03 รองเท้าผ้าใบ.mp3 2.63 MB
04 รักเธอตลอดเวลา.mp3 4.12 MB
05 ก็แค่ทัก.mp3 3.46 MB
06 อีกครั้ง.mp3 3.65 MB
07 ฉันอยู่ตรงนี้ (I'm Here).mp3 3.83 MB
08 หนึ่งเพลงมีสามนาที.mp3 2.65 MB
09 Music มีสุข.mp3 2.86 MB
10 อย่าแค่มอง.mp3 3.24 MB
11 รักเธอไม่มีกั๊ก.mp3 3.31 MB
12 เพาะรัก (Special Version).mp3 3.09 MB

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01-Lolita - จ๊ะจ๋าหน่อยนะจ๊ะ.mp3 4.06 MB
02-บอยตรัย - ทำไมต้องเธอ.mp3 4.96 MB
03-Fono - รบกวนมารักกัน.mp3 3.91 MB
04-รสชาติความเป็นคน - Supersting.mp3 4.73 MB

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01-The Album - อยากตะโกน-ปอ ทฤษฏี.mp3 3.70 MB
02-The Album - เฉย เฉย-กาละแมร์ พัชรศรี.mp3 3.17 MB
03-The Album - ความรัก-เชอร์รี่ เข็มอัปสร.mp3 3.78 MB
04-The Album - คำง่าย ๆ-แชมป์ พีรพล.mp3 3.22 MB
05-The Album - ชู่ว์-หยาดทิพย์ ราชปาล.mp3 3.14 MB
06-The Album - ปลื้ม-คุณปลื้ม.mp3 3.63 MB
07-The Album - โกรธทำไม-เชอร์รี่ เข็มอัปสร.mp3 2.79 MB
08-The Album - ใครสักคน-ปอ ทฤษฏี.mp3 2.85 MB
09-The Album - ชายในฝัน-กาละแมร์ พัชรศรี.mp3 3.18 MB
10-The Album - น้อยใจ-คุณปลื้ม.mp3 3.48 MB
11-The Album - เพื่อนคนหนึ่ง-หยาดทิพย์ ราชปาล.mp3 2.86 MB
12-The Album - Energy-แชมป์ พีรพล.mp3 2.69 MB

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01-พายุ - STORM.mp3 3.16 MB
02-พายุ - ไม่ว่าง กำลังเหงา.mp3 4.06 MB
03-พายุ - รักแท้ แพ้ไม่รัก.mp3 4.01 MB
04-พายุ - พลิก.mp3 3.22 MB
05-พายุ - หนาว.mp3 3.49 MB
06-พายุ - ไม่อยากให้เธอรู้ตัว.mp3 3.52 MB
07-พายุ - ขัดใจ.mp3 4.09 MB

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01-SkyKick RanGer - แม่เจ้าโว้ย.mp3 3.62 MB
02-SkyKick RanGer - กอดได้ไหม.mp3 4.52 MB
03-SkyKick RanGer - ก่อนร้านปิด.mp3 3.95 MB
04-SkyKick RanGer - ขาดเธอไม่ได้.mp3 4.18 MB
05-SkyKick RanGer - ภวังค์.mp3 4.04 MB
06-SkyKick RanGer - สู้ต่อไป.mp3 4.19 MB
07-SkyKick RanGer - มืน.mp3 3.43 MB
08-SkyKick RanGer - บอกตรง ๆ.mp3 4.27 MB
09-SkyKick RanGer - ร้ากกก.mp3 4.00 MB
10-SkyKick RanGer - Interlude.mp3 272.92 kB
11-SkyKick RanGer - ซึ้ง.mp3 4.60 MB

http://www.thupload.com/download/71a8dd76c0b167921ffb18b957923663.html
01-NANA นานา - วันทอง.mp3 2.60 MB
02-NANA นานา - ข้อความเบา ๆ.mp3 3.48 MB
03-NANA นานา - ตามเขากลับมารักเธอ.mp3 3.27 MB
04-NANA นานา - Non Sense.mp3 3.14 MB
05-NANA นานา - สวยมาจากข้างใน.mp3 3.15 MB
06-NANA นานา - มีไหมคนนั้น.mp3 3.67 MB
07-NANA นานา - เลิกไป.mp3 2.98 MB
08-NANA นานา - ขอโอกาส.mp3 3.20 MB
09-NANA นานา - เคย.mp3 2.11 MB
10-NANA นานา - ได้ไง ได้ไง.mp3 3.88 MB

http://www.upfile.us/file/vip/bever/584/012.rar
01-ขนมจีน - ชวนทะเลาะ.mp3 2.83 MB
02-ขนมจีน - ตามใจปาก.mp3 3.47 MB
03-ขนมจีน - แพ้ไม่เป็น.mp3 3.65 MB
04-ขนมจีน - เบื่อ.mp3 3.52 MB
05-ขนมจีน - ฉ้นจะยืนข้างเธอ.mp3 3.61 MB
06-ขนมจีน - ขัดใจ.mp3 4.09 MB

http://www.upfile.us/file/vip/bever/584/011.rar
01-Mila มีล่า - เธอน่ารัก.mp3 3.15 MB
02-Mila มีล่า - ปากดี ขี้เหงา เอาแต่ใจ.mp3 3.92 MB
03-Mila มีล่า - ใคร ๆ ก็มีคนรัก.mp3 3.31 MB
04-Mila มีล่า - หลอกนัก รักซะหรอก.mp3 2.96 MB
05-Mila มีล่า - ถ้าเธอจะยืนข้างฉัน.mp3 3.16 MB
06-Mila มีล่า - ขัดใจ.mp3 4.09 MB

http://www.upfile.us/file/vip/bever/584/010.rar
01-Teen Spirti - คนรักสัตว์-Jean.mp3 4.12 MB
02-Teen Spirti - เงยหน้า-Bedding Bare.mp3 3.66 MB
03-Teen Spirti - เพลงรักจากใจลูก-Zippoe Jelly.mp3 3.95 MB
04-Teen Spirti - คนเหงาใจ-The Answer.mp3 3.99 MB
05-Teen Spirti - เท่าเดิม-Hobbit.mp3 4.60 MB
06-Teen Spirti - ฟ้า-Bedding Bare.mp3 3.91 MB
07-Teen Spirti - ฉันต้องขอตัว-Jean.mp3 3.69 MB
08-Teen Spirti - คำดี ๆ-Hobbit.mp3 3.57 MB
09-Teen Spirti - สักวันฉันจะดีพอ-Zippoe Jelly.mp3 3.47 MB
10-Teen Spirti - เหตุผลง่าย ๆ-The Answer.mp3 3.68 MB

http://www.thupload.com/download/71a8dd76c0b167921ffb18b957923663.html
01-OVER THE RAINBOW - Tomorrow-อ็อฟ ปองศักดิ์.mp3 4.52 MB

http://www.thupload.com/download/71a8dd76c0b167921ffb18b957923663.html
01-HANGMAN - ช็อคโกแลต.mp3 2.99 MB

http://www.thupload.com/download/71a8dd76c0b167921ffb18b957923663.html
01-กอฟ อัครา - คนของคนอื่น.mp3 3.76 MB

http://www.thupload.com/download/71a8dd76c0b167921ffb18b957923663.html
01-บี้ สุกฤษฎิ์ - คนสำคัญ.mp3 3.14 MB

http://www.thupload.com/download/b11c0be6fdf8c556a33be532376e872a.html
01-Ost. ทาสรักทระนง - ใกล้กันยิ่งหวั่นไหว.mp3 3.49 MB

http://www.thupload.com/download/b11c0be6fdf8c556a33be532376e872a.html
01-จิ๋ว ปิยนุช - ฉันก็มีจิตใจ.mp3 3.90 MB

http://www.thupload.com/download/b11c0be6fdf8c556a33be532376e872a.html
01-NEKO JUMP - จุ๊บ จุ๊บ.mp3 3.34 MB

http://www.thupload.com/download/b11c0be6fdf8c556a33be532376e872a.html
01-K-OTIC - รักไม่ได้หรือไม่ได้รัก.mp3 3.93 MB
02-K-OTIC - อย่าไว้ใจ.mp3 3.65 MB

http://www.thupload.com/download/bbab2b638a5af49b9e6e430ceb088495.html
01-Mutmee - หนึ่งนาทีของคนขี้เหงา.mp3 3.07 MB
02-Mutmee - ข้อความที่ไม่เคยลบ.mp3 3.71 MB

http://www.thupload.com/download/2d8559841361c084ccd9ae638fd64247.html
01-Black Vanilla - เจ้าชู้ไม่รู้ตัว.mp3 3.23 MB
02-Black Vanilla - ลืมเธอไม่เก่ง.mp3 3.91 MB

http://www.thupload.com/download/ae18e0141ba1cf8015af79804c7b0e3d.html
01-มาช่า - รักยังไม่ต้องการ.mp3 4.02 MB

http://www.thupload.com/download/fb7544d13fa1cdd68b84ca0a8477ae78.html
01-Nice 2 Meet U - ยินดีที่รู้จัก.mp3 3.50 MB
02-Nice 2 Meet U - ขอบคุณที่รักกัน.mp3 3.57 MB

http://www.thupload.com/download/78e7b652a8372f9982e241d95bca3eff.html
01-พลพล - วันนั้นอย่าลืมวันนี้.mp3 5.55 MB

http://www.thupload.com/download/78e7b652a8372f9982e241d95bca3eff.html
01-สายลับจับบ้านเล็ก - คนของเธอ.mp3 3.74 MB
02-สายลับจับบ้านเล็ก - ไม่รู้จักฉัน ไม่รู้จักเธอ.mp3 3.46 MB

http://www.upfile.us/file/vip/bever/584/002.rar
01-เอ็ม อรรถพล - เธอผู้เป็นเจ้าของหัวใจ.mp3 4.22 MB
02-เอ็ม อรรถพล - หัวใจไม่ฟังเหตุผล.mp3 4.26 MB

http://www.upfile.us/file/vip/bever/583/003.rar
01-นัท มีเรีย - แค่เพียงฝัน.mp3 3.69 MB

http://www.upfile.us/file/vip/bever/584/001.rar
01-ลานนา คัมมินส์ - พิราบรำพัน.mp3 3.00 MB
02-ลานนา คัมมินส์ - ก่อนดอกรักจะบาน.mp3 3.47 MB

วันอังคารที่ 18 กันยายน พ.ศ. 2550

Vampires 586 Sumo

ข้อมูลสรุปนี้ไม่พร้อมใช้งาน โปรด คลิกที่นี่เพื่อดูโพสต์

Vampires 585 Sumo

ข้อมูลสรุปนี้ไม่พร้อมใช้งาน โปรด คลิกที่นี่เพื่อดูโพสต์

VampireS 584 Sumo

Song Club : Free Mp3 music download download, free mp 3 download, free music download, free song

ออกวันพุธที่ 29 สิงหาคม 2550

ทดสอบเว็บอัพโหลด upflie.us แบบ Direct Link VIP อย่าใช้โปรแกรมช่วยดาวโหลดนะครับ

ตัวหนังสือสีแดงคือเพลงใหม่ ตัวหนังสือสีน้ำเงินคือเพลงฮิตครับ

http://www.upfile.us/file/vip/bever/584/001.rar
01-ลานนา คัมมินส์ - พิราบรำพัน.mp3 3.00 MB
02-ลานนา คัมมินส์ - ก่อนดอกรักจะบาน.mp3 3.47 MB

http://www.upfile.us/file/vip/bever/584/002.rar
01-เอ็ม อรรถพล - เธอผู้เป็นเจ้าของหัวใจ.mp3 4.22 MB
02-เอ็ม อรรถพล - หัวใจไม่ฟังเหตุผล.mp3 4.26 MB

http://www.upfile.us/file/vip/bever/584/003.rar
01-ตอง ภัครมัย - Oh My Boy!.mp3 2.79 MB
02-ตอง ภัครมัย - ห้ามใจไม่ไหว.mp3 3.52 MB

http://www.upfile.us/file/vip/bever/584/004.rar
01-ดัง พันกร - รักคนใหม่ได้แล้ว.mp3 3.29 MB

http://www.upfile.us/file/vip/bever/584/005.rar
01-Pink พิ้งค์ - ผู้หญิงนิสัยไม่ดี.mp3 3.67 MB

http://www.upfile.us/file/vip/bever/584/006.rar
01-แมว จิระศักดิ์ - ค่อยค่อยพูด.mp3 3.09 MB

http://www.upfile.us/file/vip/bever/584/007.rar
01-The Album - อยากตะโกน-ปอ ทฤษฎี สหวงษ์.mp3 3.70 MB
02-The Album - ความรัก-เชอร์รี่ เข็มอัปสร สิริสุขะ.mp3 3.78 MB
03-The Album - คำง่ายๆ I Miss U-Champ พีรพล เอื้ออารียกูล.mp3 3.22 MB
04-The Album - ชู่ว์-หยาด หยาดทิพย์ ราชปาล.mp3 3.15 MB
05-The Album - ปลื้ม-ปลื้ม ม.ล.ณัฎฐกรณ์ เทวกุล.mp3 3.63 MB
06-The Album - เฉย เฉย-กาละแมร์ พัชรศรี เบญจมาศ.mp3 3.17 MB

http://www.upfile.us/file/vip/bever/584/008.rar
01-OAK SMITH - เธอจะร้องไห้ทำไม.mp3 3.55 MB
02-OAK SMITH - ความคิดถึงห้ามกันไม่ได้.mp3 3.26 MB
03-OAK SMITH - ปากกา.mp3 3.38 MB
04-OAK SMITH - How R U.mp3 3.60 MB
05-OAK SMITH - ยืนผิดที่.mp3 3.40 MB
06-OAK SMITH - ฝันร้ายกลายเป็นฝันดี.mp3 3.64 MB
07-OAK SMITH - อ่นกันนาน ๆ.mp3 3.61 MB
08-OAK SMITH - ทุกเช้า ทุกคืน ทุกวัน.mp3 3.00 MB
09-OAK SMITH - ปากกับใจ.mp3 2.65 MB
10-OAK SMITH - ซื้อกุหลาบให้ตัวเอง.mp3 3.72 MB
11-OAK SMITH - บริสุทธิ์ใจ.mp3 3.42 MB
12-OAK SMITH - วูบหนึ่ง ในคืนเหงา.mp3 3.65 MB

http://www.upfile.us/file/vip/bever/584/009.rar
01-GOLF&MIKE - Rinrin SAMURAI.mp3 3.41 MB
02-GOLF&MIKE - Nippon Ai ni Iku yo.mp3 3.44 MB
03-GOLF&MIKE - Fight For You.mp3 3.20 MB
04-GOLF&MIKE - Sayonara junjo.mp3 3.84 MB
05-GOLF&MIKE - Koi no toge.mp3 4.39 MB
06-GOLF&MIKE - Koibito.mp3 4.16 MB
07-GOLF&MIKE - Okashii deshou.mp3 3.21 MB
08-GOLF&MIKE - Boku no basho.mp3 3.78 MB
09-GOLF&MIKE - Kokoro ga wari.mp3 3.08 MB
10-GOLF&MIKE - Suki dakara.mp3 3.76 MB
11-GOLF&MIKE - Hatsukoi no aria.mp3 3.49 MB
12-GOLF&MIKE - Atsukatta natsuyasumi.mp3 2.98 MB
13-GOLF&MIKE - Fever to Future (Thai ver.).mp3 3.59 MB
14-GOLF&MIKE - Kae Krung Deaw.mp3 3.39 MB

http://www.upfile.us/file/vip/bever/584/010.rar
01-Teen Spirti - คนรักสัตว์-Jean.mp3 4.12 MB
02-Teen Spirti - เงยหน้า-Bedding Bare.mp3 3.66 MB
03-Teen Spirti - เพลงรักจากใจลูก-Zippoe Jelly.mp3 3.95 MB
04-Teen Spirti - คนเหงาใจ-The Answer.mp3 3.99 MB
05-Teen Spirti - เท่าเดิม-Hobbit.mp3 4.60 MB
06-Teen Spirti - ฟ้า-Bedding Bare.mp3 3.91 MB
07-Teen Spirti - ฉันต้องขอตัว-Jean.mp3 3.69 MB
08-Teen Spirti - คำดี ๆ-Hobbit.mp3 3.57 MB
09-Teen Spirti - สักวันฉันจะดีพอ-Zippoe Jelly.mp3 3.47 MB
10-Teen Spirti - เหตุผลง่าย ๆ-The Answer.mp3 3.68 MB

http://www.upfile.us/file/vip/bever/584/011.rar
01-Mila มีล่า - เธอน่ารัก.mp3 3.15 MB
02-Mila มีล่า - ปากดี ขี้เหงา เอาแต่ใจ.mp3 3.92 MB
03-Mila มีล่า - ใคร ๆ ก็มีคนรัก.mp3 3.31 MB
04-Mila มีล่า - หลอกนัก รักซะหรอก.mp3 2.96 MB
05-Mila มีล่า - ถ้าเธอจะยืนข้างฉัน.mp3 3.16 MB
06-Mila มีล่า - ขัดใจ.mp3 4.09 MB

http://www.upfile.us/file/vip/bever/584/012.rar
01-ขนมจีน - ชวนทะเลาะ.mp3 2.83 MB
02-ขนมจีน - ตามใจปาก.mp3 3.47 MB
03-ขนมจีน - แพ้ไม่เป็น.mp3 3.65 MB
04-ขนมจีน - เบื่อ.mp3 3.52 MB
05-ขนมจีน - ฉ้นจะยืนข้างเธอ.mp3 3.61 MB
06-ขนมจีน - ขัดใจ.mp3 4.09 MB

http://www.upload.th.la/?d=F3387E848
01-BIG HIT 7 - อย่าเล่นตัว.mp3 3.11 MB
02-BIG HIT 7 - ของที่เธอไม่รัก.mp3 4.35 MB
03-BIG HIT 7 - An Everiasting Love.mp3 3.97 MB
04-BIG HIT 7 - ปากไม่ตรงกับใจ.mp3 4.03 MB
05-BIG HIT 7 - ซื้อกุหลาบให้ตัวเอง.mp3 2.97 MB
06-BIG HIT 7 - จี๊ด.mp3 3.00 MB
07-BIG HIT 7 - ยิ้มเข้าไว้.mp3 3.23 MB
08-BIG HIT 7 - ภาพลวงตา.mp3 3.39 MB
09-BIG HIT 7 - หวาน.mp3 3.82 MB
10-BIG HIT 7 - Message ผิดเบอร์.mp3 3.65 MB

http://sv1.gushare.com/file.php?file=dc7dcd6d182ad1b878fe39b79b9025fb
01-แช่ม แช่มรัมย์ - คนนี้ผมขอ.mp3 3.61 MB
02-แช่ม แช่มรัมย์ - รักแล้วยอมได้.mp3 3.28 MB
03-แช่ม แช่มรัมย์ - ไม่อยู่ที่ไหนมา.mp3 4.12 MB
04-แช่ม แช่มรัมย์ - ตุ๊กตาเบาะหลัง.mp3 3.45 MB
05-แช่ม แช่มรัมย์ - ยังไม่ตายอีกหรือ.mp3 3.95 MB
06-แช่ม แช่มรัมย์ - เบอร์เธอเบอร์อะไร.mp3 3.40 MB
07-แช่ม แช่มรัมย์ - ดูดาวบนตักแม่.mp3 2.77 MB
08-แช่ม แช่มรัมย์ - แฟนเพื่อนสวย.mp3 3.02 MB
09-แช่ม แช่มรัมย์ - มันน่าน้อยใจ.mp3 3.71 MB
10-แช่ม แช่มรัมย์ - ทำไม.mp3 2.86 MB

http://www.upfile.us/file/vip/bever/583/005.rar
01-PECK เป็ก - All I Want is you.mp3 3.18 MB
02-PECK เป็ก - In Love.mp3 3.51 MB
03-PECK เป็ก - หมดใจ.mp3 3.68 MB
04-PECK เป็ก - อยากเจอเธอคืนนี้.mp3 2.52 MB
05-PECK เป็ก - การ์ดใบหนึ่ง.mp3 3.89 MB
06-PECK เป็ก - เธอคนเดียว.mp3 3.33 MB
07-PECK เป็ก - โทรหากันหน่อย.mp3 3.44 MB
08-PECK เป็ก - จูบลาแทนคำว่าเสียใจ.mp3 4.00 MB
09-PECK เป็ก - สั่งสอน.mp3 4.11 MB
10-PECK เป็ก - จะคิดถึงใคร.mp3 3.10 MB

http://www.upfile.us/file/vip/bever/583/007.rar
01-LAO Dance Hip Hop - นรกมีจริง-Modern Dance.mp3 3.80 MB
02-LAO Dance Hip Hop - ละลาย-Princess.mp3 3.02 MB
03-LAO Dance Hip Hop - หินส้ม-Over Dance.mp3 4.40 MB
04-LAO Dance Hip Hop - Stand Up-Aluna.mp3 3.85 MB
05-LAO Dance Hip Hop - มีแฟนหรือยัง-Kimmy.mp3 3.07 MB
06-LAO Dance Hip Hop - ไม่ได้หลายใจ-Princess.mp3 3.64 MB
07-LAO Dance Hip Hop - ถ้าบอกรัก-Awake.mp3 3.33 MB
08-LAO Dance Hip Hop - อย่าอาย-Modern Dance.mp3 3.37 MB
09-LAO Dance Hip Hop - หินส้ม2-Over Dance.mp3 3.88 MB
10-LAO Dance Hip Hop - อยากมีแฟน-L.O.G.mp3 3.24 MB
11-LAO Dance Hip Hop - มายเลดี้-Kimmy.mp3 2.97 MB
12-LAO Dance Hip Hop - Love Delivery-Modern Dance.mp3 3.91 MB
13-LAO Dance Hip Hop - ทุก 2 นาที-Princess.mp3 3.15 MB
14-LAO Dance Hip Hop - Mr. หินส้ม-Remix.mp3 3.41 MB

http://v3.gushare.com/file.php?file=d1f7be8b782b01ff67c74c50fc6c0791
01-7th Scene - ขีดเส้นใต้.mp3 3.73 MB
02-AZN&SUBURBIAN - เอาไปเลย.mp3 3.23 MB
03-Kid Insane - กุมภาพันธ์.mp3 5.68 MB
04-Lemon Soup - ยามเมื่อลมพัดหวน.mp3 3.86 MB
05-Red Twenty - เอาอะไรมาแลกก็ไม่ยอม.mp3 2.62 MB
06-SLUR - ด้วยรักและผูกพัน.mp3 2.59 MB
07-SUPERSUB - ไหน.mp3 4.33 MB
08-ก้อย รัชวิน - คนไม่มีแฟน.mp3 2.97 MB
09-บอล จารุลักษณ์-กิ กิรตา - นิยามรัก.mp3 3.58 MB
10-บีม จารุวรรณ - ไม่กล้าบอกเธอ.mp3 4.12 MB
11-Moon - รักไม่ช่วยอะไร.mp3 3.41 MB
12-Exotic Percussion - สมปองน้องสมชาย.mp3 3.37 MB
13-5U - เสียดาย.mp3 2.46 MB
14-สินเจริญ บราเธอร์ - ผู้ชายเฉิ่มๆ.mp3 3.11 MB
15-Damnwrong - ขอบใจจริง ๆ.mp3 5.30 MB
16-Prinky Groove - สองใจ.mp3 3.24 MB
17-Jetset'er - L.O.V.E..mp3

http://www.upload.th.la/?d=72A0222E12
01-ICE ไอซ์ - อย่าเล่นตัว.mp3 2.68 MB
02-ICE ไอซ์ - เพื่อนสนิทคิดไม่ซื่อ.mp3 3.16 MB
03-ICE ไอซ์ - แก้ปัญหาตัวเองไม่ได้.mp3 3.40 MB
04-ICE ไอซ์ - อยากเป็นหมอน.mp3 3.31 MB
05-ICE ไอซ์ - ยอมให้เธอตี.mp3 3.03 MB
06-ICE ไอซ์ - หางตา.mp3 4.17 MB
07-ICE ไอซ์ - ให้ความรักโอบกอด.mp3 3.39 MB
08-ICE ไอซ์ - ผิดคนหรือเปล่า.mp3 3.05 MB
09-ICE ไอซ์ - นัดเดทตัวเอง.mp3 3.76 MB
10-ICE ไอซ์ - ใจช้ำ ๆ.mp3 3.70 MB

http://www.upfile.us/file/vip/bever/583/008.rar
01-Cynci Seui - Cowcow boy.mp3 3.39 MB
02-Cynci Seui - มันอยู่ที่จังหวะ.mp3 3.43 MB
03-Cynci Seui - My name is Dos.mp3 3.41 MB
04-Cynci Seui - Vanilla Walk.mp3 3.29 MB
05-Cynci Seui - Ok Happi.mp3 3.58 MB
06-Cynci Seui - All It Takes.mp3 2.95 MB
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Vampires 583 Sumo

ข้อมูลสรุปนี้ไม่พร้อมใช้งาน โปรด คลิกที่นี่เพื่อดูโพสต์

Vampires 581 Sumo

ข้อมูลสรุปนี้ไม่พร้อมใช้งาน โปรด คลิกที่นี่เพื่อดูโพสต์

SOCA FUSION - It's a fusion of Hip-Hop, dancehall, soca, and R&B, the new wave in black urban music. 20 MP3 Songs WORLD: Reggae, URBAN/R&B: Contemporary urban Show all album songs: Artical One Strikes Again Songs Details: ARTICAL-bona fide, genuine, authentic. ONE-being a single unit, being the same in kind or quality, the number denoting unity. "...Strikes Again" is Artical One's second Soca-Fusion project and indeed, Strike Again is what they have done. Artical One Productions is a thriving young, innovative independent music production company, which consists of a team of singers, songwriters, musicians and producers, with its own record label, Muscle Records and an in-house recording studio facility. With roots planted in the music of the islands, Reggae, Dancehall, and Soca, Artical One also represents in the R&B, Hip-Hop, and House genres, for a taste of what they called, SOCA-FUSION. Artical One has grown to be "The Ones To Watch," gaining recognition from major industry leaders like MTV, Vibe Magazine, Sirius Satellite Radio to name a few. Artical One Productions made history with their first compilation "Couldn't Believe, " when they became the first Soca (Caribbean) artists to perform live on satellite radio. Committed to producing only the highest level of quality and sound, Artical One has worked with a long line of great artists like "Mr. Pose Off" himself, Screechy Don, Red Foxx, Kevin Lyttle, "Turn Me On," The Mad Stuntman, formerly of the house duo Reel 2 Real, "I like to Move It, Move It", Bunji Garlin, Super P and Mr. Easy as well as rising stars like Khari Kill "Picture of Selassie I," Ziggy Ranking "Miserable Life," "Couldn't Believe," and their very own first lady of Soul, Terry Felicia, "Forever and a Day," (Couldn't Believe Riddim) and "Used to Love You," featuring Bandy Leggz. Artical One music can be heard on the Internet and radio in the states and Canada, across the Caribbean and NEXT STOP-- YOUR NECK OF THE WOODS. 4:07 minutes MP3 song title of MO. Fire HIP HOP/RAP: Rap HIP HOP/RAP: Hip Hop 11 on album Misseri City Bred Written by: Randall Thomas Published by: MO.Fire Label: 54 REGIMENT Show all album songs: Misseri City Bred Songs Buy complete album: Complete Download Misseri City Bred Search related: HIP HOP/RAP This is a compilation of MO.city, TX Hip hop allstars. MO.City is one of the most talented parts of Houston. This album shows a unique set of styles, versatility, and lyrics. HOT... According to ls -l, tomorrow is the first anniversary of some code I wrote that eventually led to jicyshout, an open-source library to enable the Java Media Framework to play http-based MP3 streams. By “http-based MP3 streams”, I’m talking about Shoutcast and Live 365, mostly, both of which use a similar protocol for streaming web radio. Stations using these systems aren’t big commercial stations, which tend to use DRM’ed Real or Windows Media to play the same 50 crappy songs you never need to hear again (especially “Hotel California” and “Gold Dust Woman”). Instead, they tend to be tiny niche-casters broadcasting real jazz, anime and j-pop, an all-Zappa playlist, etc. In other words, with the exception of KFOG’s “10@10″, Shoutcast and Live 365 stations are the only webcasters I can stand to listen to. So I started experimenting with the JMF to figure out why it could play MP3 files, locally or off a server, but not streams. JMF has rtp/rtsp streaming support, but that’s not what we’re talking about here. The http streams are easier for a client, because you never have to worry about dropped data - you’re guaranteed to get everything. In this standard, the heavy lifing is on the server side. What I found was that the class that plays MP3s is com.sun.media.content.unknown.Handler, so I set out to get him to be able to play the http stream. What I eventually figured out is that JMF is very dependent on the protocol and filename extension of a URL to decide what Player, if any, can handle the content, and it couldn’t figure out what to do with something like http://147.4.220.89:8000 (Fanelia.com RPG Radio) or http://www.live365.com/play/45939 (Anime Hardcore 1). Oh and during this time, my son was born with a totally scary heart condition that required surgery four days after birth, so I put this work down for the three weeks we were at the hospital. Shortly after that, I applied to be a presenter at the O’Reilly Mac OS X Conference and amazingly (since my MP3 player wasn’t done yet), they accepted my talk on java media. Long story short - I got it to work in a somewhat nice JMF kind of way, and while I was reading the stream myself, I threw in parsers for popular metadata formats like ID3 and Shoutcast. The conference wanted speakers to write a companion article for one of the O’Reilly websites, so I whipped up a pair of articles using jicyshout as the sample code - the first was about the JMF side of how it works, the second was about the various metadata formats. Then the stupid thing happened. There was apparently some sort of licensing fiasco regarding MP3’s, and Sun responded by making JMF unavailable for a few weeks, then posting a new 2.1.1b version that removed MP3 support. Obviously, this had a fairly lethal effect on both jicyshout and my articles about it. Nobody who downloaded the code could play MP3’s with it if they didn’t already have a pre-2.1.1b JMF, making the code and the articles instantly worthless. I decided to hold the articles for a while to see if Sun ever put the MP3 support back - it was, after all, practically the only useful format suppored by JMF - but it never happened. Indeed, from the looks of the website and the lack of new content in the last seven months, JMF seems almost utterly abandoned. So, now that it’s been a year, I’ve posted the articles to the jicyshout website in hopes that they’ll do someone some good. They’re unedited and somewhat dated - ignore everything about icecast, which has dropped MP3 in favor of Ogg Vorbis in the past year. But on the other hand, the shoutcast in-stream metadata format is very poorly documented, and I have a decent write up of that (and code to parse it!), so the more we can disseminate that information, the better. TECHNO MUSIC 4 - by Paperduck Sometime after the era of playing music traditionally (with intruments) amplified electronically to the crowd, many people around the world simultaneously realized that you don't need the intruments themselves to transfer these sounds. Because of the technological advancement, the electronic input recieved from the intrument can simply be generated from scratch. The groundbreaking thing was there were so many other kinds of sounds out there that we did not have instruments of. It was kind of a hidden musical world that had been discovered. The earliest experiences I remember having of electronica was actually from the 80's. I'm talking about depeche mode, pet shop boys, new order, and the like. And the most fascinating thing to me about electronica at the time (and still is) was the uniqueness of sounds. What instrument made such a sound? Well, there was no such instrument that you can blow into or pluck to get *that* sound. It was electronic, and they were called samples. Some of them sounded very close to sounds we had instruments for, and another infinite number of them were sounds from instruments that did not exist! So we can say: Techno involves sounds of which real intruments may or may not exist... Hence our intrigue and interest in electronica. Allow me to elaborate: If you think about it, every intrument that exists carries a set of thoughts and feelings associated with it - perhaps a harp is played in a beautiful setting by a pretty woman and stirs a sense of peace, A saxophone by a lonely man in the night and evokes sadness, etc. There may be different thoughts and different feelings associated with an intrument for different people, but there is a subtle real world mental association for all of us with each instrument. So what thoughts and feelings do we associate with these sounds that have no real world instruments that produce them? It's left completely to our FANTASY and IMAGINATION. If you think these sounds are played thousands of miles beneath the surface of the earth, or somewhere in space, or somewhere dark, or whatever setting you imagined, society doesn't dictate otherwise. This phenomenon has been the source of inspiration and imagination for most of us. It helps me personally think of a setting where I have tons of energy and an unparalleled imagination. I listened to it through my schooling, while I work, while I think, I'm listening to techno right now! This is what I mean by "hence our intrigue and interest in electronica." So we can add to our definition: ...provoke wholly unique thoughts and feelings.... Technology has aided our evolution in musical appreciation not just by the different sounds, but how these sounds come together. We are no longer limited to playing a certain number of notes at a time, or limited to a certain speed. One of the unique styles of techno is jumping whole octaves up or down at every half beat at 140-160 BPM. I can't imagine someone playing the piano like that. With techno you are able to do these things. Again adding to our definition:...can be played at physically impossible speeds or note combinations... Of course it is not enough to have only a unique sound played with nothing musical; no tempo or no melody behind it. There still must be music behind the sounds. And it is this last point that techno fans and haters will disagree on. Completing my definition Techno involves sounds of which real intruments may or may not exist, and because of this provokes wholly unique thoughts and feelings, which can be played at speeds or note combinations possible only with aid of electronics, and still maintain artistic, musical quality. An MP3 blog is a type of blog in which the creator makes music files, normally in the MP3 format, available for download. They are also known as musicblogs or audioblogs. MP3 blogs have become increasingly popular since the beginning of 2003. The music posted ranges from hard-to-find rarities that have not been issued in many years to more contemporary offerings, and selections are often restricted to a particular musical genre or theme. Some MP3 blogs offer music in Advanced Audio Coding (AAC) or Ogg formats, as well as MP3. Among the very first MP3 blogs were Fluxblog and Stereogum. The latter began as a music-related LiveJournal in 2002, though its format was focused on indie/pop gossip rather than MP3s. Fluxblog's trumpeting of LCD Soundsystem's "Yeah (Stupid Version)" in early 2004 brought increased attention to MP3 blogs. A May 2004 NPR story [1] further galvanized the trend, and today there are thousands of MP3 blogs covering a cornucopia of musical styles. A significant number of indie music labels, promotional agencies and hundreds of artists regularly send promo CDs to MP3 blogs in the hopes of gaining free publicity. Major labels with small acts to promote have also attempted to use MP3 blogs. In 2004, Warner Bros. gave permission for a song by their act The Secret Machines to be posted by the MP3 blog Music (For Robots). This drew attention not only for the song and the label granting permissions, but also due to the fact that several comments praising the track came from IP addresses within the Warner Bros. network. The publicity generated by MP3 blogs crossed the line from the internet to TV in early 2005, when Music (For Robots) was featured during MTV's Total Request Live program for bringing the Hysterics, a Brooklyn rock band comprised of four 14 and 15 year-old high school students, to the network's attention. In 2006, Rolling Stone did an article tracking "blog buzz" called First Hype, Then Kill with the subtitle "How the geeks who control the music blogosphere destroy the bands they love." It followed the hype of bands like Tapes N' Tapes, Clap Your Hands Say Yeah, Arctic Monkeys and Cold War Kids. While the article brought exposure to mp3 blogs, it was blasted on blogs for misrepresenting what impact they have on band's career. According to the chart, Gorilla vs Bear giving a good review of Cold War Kids was the highpoint of the band's career, and signing a record deal marked the beginning of their decline. It also assumed that music blogs have collective opinions instead of an array of many different musical leanings.[citation needed] In 2006, Sirius Satellite Radio began broadcasting "blog radio," a show on the College/Indie Rock channel Left of Center. The show lets music bloggers talk about the latest in the indie-rock scene. Each night is hosted by one blogger: Aquarium Drunkard, Brooklyn Vegan, Gorilla vs. Bear, It's A Trap, My Old Kentucky Blog, and Product Shop NYC. [edit] Music Blog Aggregators Aggregators like The Hype Machine track MP3 blog posts and display the most recently updated posts on its front page. The services are meant to provide a snapshot of what's going on in music blogging and make it easier to search through recently posted MP3s. The Hype Machine features a list of the most popular tracks of the last 3 days as well as the most blogged bands and most popular searches. Elbo.ws has a similar feature listing which Bands, Tracks, and Videos are currently "hot." Music Blog Aggregators have caused a boom in MP3 blog readership and accessibility. Aggregators use RSS technology to collect data from MP3 blogs and link to the individual blog posts instead of directly to the MP3s. Popular songs Popular songs or "[phonograph] records and radio, though all other mass media that have audio capability are involved. The popularity of popular songs is inferred from commercially significant sales of recordings, ratings of stations and networks that play popular songs, and ticket sales for concerts by the recording artists. A popular song becomes a modern folk song when members of the public who learn to sing it from the recorded version teach their version to others. Popular songs may be called pop songs for short, although pop songs or pop music may instead be considered a more commercially popular genre of popular music as a whole. Open Music is music that is shareable, available in "source code" form, allows derivative works and is free of cost for non-commercial use. It is the concept of "open source" computer software applied to music.[1] Open Music is one of the general responses to the RIAA's and governmental actions against the music industry and its consumers. "Open Music" can be considered a subset of "free music" (referring to freedom). The differences of philosophy between advocates of "open source software" and "free software" have not surfaced in the community of musicians contributing music to the copyleft commons. This may be due to the relatively recent emergence of copyleft music, as well as to the fact that software development generally involves much more collaboration and derivatization than does music production. It is not clear that open collaboration using copyleft licenses provides any significant advantages in music production, as open source advocates commonly argue is the case for software development. Several websites have surfaced to provide musicians with the platform and tools necessary for online music collaboration. Most of these sites promote one ore more of the Creative Commons licenses, allowing derivative works and sharing of the finished songs. Early implementations of these collaboration sites relied on threaded discussion forum software and FTP to provide a means for musicians to initiate and discuss projects, and to share multi-track files. More recent and modern sites provide robust project-management features, automatic encoding and compression, online playback streaming, web-based upload and download options, chat, and project-based discussion forums. What is music? Music is sound that has been organized and made on purpose. If someone bangs saucepans while cooking, it makes noise. If a person banged saucepans or pots in a deliberate way (on purpose), they are making a simple type of music. Music started many thousands of years ago. When early people first banged pieces of wood together and enjoyed the sound, they were discovering music. Early people also discovered that when they cut off the horns of animals they had killed and blew through them, they could make interesting sounds. People also blew into conch shells and made sounds that they liked. They probably started to sing or shout in celebration. There are four things which music often has: Music often has pitch. This means high and low notes. Tunes are made of notes that go up or down or stay on the same note. Music often has rhythm. Rhythm is the length of each note. Every tune has a rhythm that can be tapped. Music usually has a regular beat. Music often has dynamics. This means whether it is quiet or loud or somewhere in between. Music often has timbre. This is a French word (pronounced the French way: "TAM-ber"). The "timbre" of a sound is the way that a sound is interesting. The sort of sound might be harsh, gentle, dry, warm, or something else. Timbre is what makes a clarinet sound different from an oboe, and what makes one person's voice sound different from another person. Periods in music history Dates Medieval music Renaissance music Baroque music Classical music period Romantic music Modern period About 350 - 1400 1400 – 1600 1600 - 1750 1740 – 1820 1820 – 1900 1900 – today [change] History of Western Music It is not known what the earliest music of the cave people was like. Some architecture, even some paintings, are thousands of years old, but old music could not survive until people learned to write it down. The only way we can guess about music before that is by looking at very old paintings that show people playing musical instruments, or by finding them in archaeological digs (digging under the ground to find old things), or by what ancient writers wrote about them. The earliest piece of music that was ever written down and that has not been lost was discovered on a tablet written in Hurrian, a language spoken in and around northern Mesopotamia (where Iraq is today), from about 1500 BC. [change] Middle Ages Another early piece of written music, from a later period, that has survived was a round called Sumer Is Icumen In. It was written down by a monk around the year 1250. Much of the music in the Middle Ages (roughly 450-1420) was folk music played by working people who wanted to sing or dance. When people played instruments, they were usually playing for dancers. However, most of the music that was written down was for the Catholic church. This music was written for monks to sing in church. It is called Chant (or Gregorian chant). [change] Renaissance In the Renaissance (roughly 1400-1550) there was a lot of music, and many composers wrote music that has survived so that it can be performed - played or sung - today. The name for this period (Renaissance) is a French word which means "rebirth". This period was called the "rebirth" because many new types of art and music were reborn during this time. Some very beautiful music was written for use in church services (sacred music) by the Italian composer Giovanni da Palestrina (1525-1594). In Palestrina's music, many singers sing together (this is called a choir). There was also plenty of music not written for the church, such as happy dance music and romantic love songs. Popular instruments during the Renaissance included the viols (a string instrument played with a bow), lutes (a plucked stringed instrument that is a little like a guitar), and the virginal, a small, quiet keyboard instrument. [change] Baroque In the Baroque period composers started to write for small orchestras (orchestras are groups of people playing musical instruments). Some composers enjoyed writing loud music for organ or trumpet that could be played in big spaces, like the big churches in Venice. A new type of music called Opera was invented around 1600. Operas had people dressed in costumes who sang to tell a story. Operas also had orchestras that played music while the singers were singing. Kings and queens and other rich noblemen had their own private musicians who were their servants. Composers usually either worked for the church or for a rich nobleman at the nobleman's castle or court. The end of the Baroque period was the time of some very great composers whose music is played everywhere today: Johann Sebastian Bach, George Frideric Handel, Antonio Vivaldi and many others. Some important instruments from the Baroque period were the pipe organ and the harpsichord (a keyboard instrument). [change] Classical period The Classical period is about (1750-1825). Sometimes "classical music" is used to mean any art music that is not "pop music", but in the History of Music, the term "classical music" means music from the late 1700s and the first years of the 1800s. This was a time when people became very interested in ancient Roman and Greek art (often called the "classics"). In music, it was the time of composers like Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. Orchestras had become bigger, and composers often wrote longer pieces of music called symphonies that had several sections. Some sections of a symphony were loud and fast; other sections were quiet and sad. The form of a piece of music was very important. Music had to have a nice shape. They often used a structure which was called sonata form. Another important type of music was the string quartet, which is a piece of music written for two violins, a viola, and a cello. Like symphonies, string quartet music had several sections. Haydn, Mozart and Beethoven all wrote many famous string quartets. The piano was invented during this time. Composers liked the piano, because it could be used to play dynamics (getting louder or getting softer). Other popular instruments included the violin, the cello, the flute, the clarinet, and the oboe. [change] Romantic period The 19th century is called the Romantic period. In music composers were particularly interested in putting their feelings into their music. An important instrument from the Romantic period was the piano. Some composers, such as Frederic Chopin wrote quiet, expressive (quietly emotional) piano pieces. Often music described a feeling or told a story using sounds. Other composers, such as Franz Schubert wrote songs for a singer and a piano player called Lied (the German word for "song"). These Lieder (plural of Lied) told stories by using the lyrics (words) of the song and by the imaginative piano accompaniments. Composers, such as Franz Liszt and Johannes Brahms used the piano to play loud, dramatic (strongly emotional) music. Many composers began writing music for bigger orchestras, with as many as 100 instruments. It was the period of "Nationalism" (the feeling of being proud of one's country) when many composers made music using folksong or melodies from their country. Lots of famous composers lived at this time such as Franz Schubert, Felix Mendelssohn, Frederic Chopin, Johannes Brahms, Pyotr Tchaikovsky and Richard Wagner. [change] Modern times From about 1900 onwards is called the "modern period". Many 20th century composers wanted to compose music that sounded different from the Classical and Romantic music. Modern composers searched for new ideas, such as using new instruments, different forms, different sounds, or different harmonies. The composer Arnold Schoenberg (1874-1951) wrote pieces which were atonal (meaning that they did not sound as if they were in any clear musical key). Later, Schoenberg discovered a new system for writing music called twelve-tone system. Music written with the twelve-tone system sounds strange and weird. Pure twelve-tone music never became really popular, but some composers such as Benjamin Britten use it occasionally, when it can be very effective. Igor Stravinsky (1882-1971) wrote music with very complicated (difficult) chords (groups of notes that are played together) and rhythms. Some composers thought music was getting too complicated and so they wrote Minimalist pieces which use very simple ideas. In the 1950s and 1960s, composers experimented with electronic music, using electronic circuits, amplifiers and loudspeakers. In the 1970s, composers began using electronic synthesizers and musical instruments from rock and roll music, such as electric guitar. They used these new instruments to make new sounds. Composers writing in the 1990s and the 2000s, such as John Adams (born 1947) and James MacMillan (born 1959) often use a mixture of all these ideas, but they like to write tonal music with easy tunes as well. [change] Jazz Jazz is a type of music that was invented around 1900 in New Orleans in the south of the USA. There were many black musicians living there who played a style of music called blues music. Blues music was influenced by African music (because the black people in the United States had come to the United States as slaves. They were taken from Africa by force). Blues music was a music that was played by singing, using the harmonica, or the acoustic guitar. Many blues songs had sad lyrics about sad emotions (feelings) or sad experiences, such as losing a job, a family member dying, or having to go to jail (prison). Jazz music mixed together blues music with European music. Jazz musicians used instruments such as the trumpet, saxophone, and clarinet were used for the tunes (melodies), drums for percussion and plucked double bass, piano, and guitar for the background rhythm (rhythmic section). Jazz is usually improvised: the players make up (invent) the music as they play. Even though jazz musicians are making up the music, jazz music still has rules; the musicans play a series of chords (groups of notes) in order. Jazz music has a swinging rhythm. The word "swing" is hard to explain. For a rhythm to be a "swinging rhythm" it has to feel natural and relaxed. A "swinging rhythm" also gets the people who are listening excited, because they like the sound of it. Some people say that a "swinging rhythm" happens when all the jazz musicians start feel the same pulse and energy from the song. If a jazz band plays very well together, people will say "that is a swinging jazz band" or "that band really swings well." Jazz influenced other types of music like the Western art music from the 1920s and 1930s. Art music composers such as George Gershwin wrote music that was influenced by jazz. Jazz music influenced pop music songs. In the 1930s and 1940s, many pop music songs began using chords or melodies from jazz songs. One of the best known jazz musicians was Louis Armstrong (1900-1971). [change] Pop music "Pop" music is a type of popular music that many people like to listen to. The term "pop music" can be used for all kinds of music that was written to be popular. The word "pop music" was used from about 1880 onwards, when a type of music called music was popular. Modern pop music grew out of 1950s rock and roll and rockabilly, the music of Elvis Presley. In the 1960s, The Beatles became a famous pop music group. In the 1970s, other styles of music were mixed with pop music, such as funk and soul music. Pop music generally has a heavy (strong) beat, so that it is good for dancing. Pop singers normally sing with microphones that are plugged into an amplifier and a loudspeaker. [change] Musical notation Mozart : Overture of the piano sonata K545 - this is what music often looks like when it is written down"Musical notation" means "the way music is written down". It is very useful to be able to read and write music because this is how composers (who may have lived a long time ago) can tell the person playing their music how they want their music to be played. Music is written on five parallel lines called a staff. Notes are put on the lines and in the spaces between the lines. It can be seen from the shape whether the music goes up or down. The lengths of the notes (how long they are played for) are shown by making the note-heads black or white, and by giving them stems and flags. Reading music involves being able to tell what the note is called and where to find it on the instrument, and being able imagine the sound, as well as learning about music theory (how music works: all about scales, intervals, ornaments, form, etc). This all helps someone to become a good musician. It is also useful to be able to play "by ear" (when people try to play music they have only heard). Most rock musicians, blues musicians, and folk musicians play "by ear." This means that to learn a song, they listen to a recording until they know how the melody (tune) of the song goes. [change] How to enjoy music [change] By listening People can enjoy music by listening to it. They can go to concerts to hear famous musicians perform. Classical music is usually performed in concert halls, but sometimes huge festivals are organized in which it is performed outside, in a field or stadium, like pop festivals. People can listen to music on CDs, iPods, television, or the radio. There is so much music today, in elevators, shopping malls, and stores, that music it often becomes a background sound that we do not really hear. Sometimes it is good to listen more closely to music, by trying to hear the different instruments and what types of notes the instruments are playing. [change] By playing or singing People can learn to play an instrument such as the piano, the guitar, or the flute. They must choose an instrument that is practical for their size. For example, a very short child cannot play a full size double bass, because the double bass is over five feet high. People should choose an instrument that they enjoy playing, because playing regularly is the only way to get better. Finally, it helps to have a good teacher. [change] By composing Anyone can make up his or her own pieces of music. It is not difficult to compose simple songs or melodies (tunes). All it takes is experimenting with the sounds that an instrument makes. Someone can make up a piece that tells a story, or just find a nice tune and think about ways it can be changed each time it is repeated. The instrument might be someone's own voice.

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